Director. Yaata Satyanarayana
Cast:-Bobby Simha, Tej Sapru, Makarand Deshpande, Raj Arun, Vedhika, AnnusriyaTripathi
This Razakar is set against the backdrop of the period before September 17, 1948, portraying the rebellion of people in Hyderabad state against the oppressive governance of the Nizam and the chaos caused by the Razakars.
The film talks about the story of the Nizam State, which initially resisted becoming part of Independent India but eventually agreed after several confrontations and warnings.
Mir Osman Ali Khan (Makrand Deshpande) wishes to retain his kingdom without merging it with India. Additionally, Kasim Razvi, a militant, joins him and indoctrinates him, stating that if given power, he would ensure that the Nizam State doesn’t become part of Independent India but remains a separate nation named Turkistan. If merging is inevitable, Pakistan is the preferred choice over India
The film “Razakar” vividly portrays this lesser-known genocide, shocking audiences with its unflinching depiction of the horrors endured by innocent victims. The meticulously researched narrative sheds light on the traumatic experiences of those affected, while Operation Polo’s dramatic execution by the Indian Army adds intensity to the story.
The film also offers insight into Sardar Vallabhbhai Patel’s pivotal role in integrating Hyderabad into India, dispelling myths and focusing solely on the Nizam’s oppression and the Razakars’ brutality against civilians, regardless of religion.
Makrand Deshpande nails the character of Osman Ali Khan with method acting, depicting the perfect body language and expression. His silhouette also suits the role well.
Raj Arjun, who played Kasim Razvi, is also very convincing in his role, dominating the screen time with his presence. Tej Sapru as Vallabhai Patel is okay but doesn’t depict the strong Iron Man qualities either in dialogues or performance.
Bobby Simha and Vedika’s track is short-lived and is one of the many similar tracks in the film.
Indraja as Ilamma is good with her entry but doesn’t have as much screen time as anticipated. Anasuya in her guest role and a song is fine. Anusriya Tripathi as Osman Khan’s wife appears in a few scenes.
Subbaraya Sharma’s role is short-lived, portraying a victimized Brahmin character. Prema also appears in a small episode with her pre-interval action scene. Tulasi, despite her guest role, delivers impactful histrionics in the beginning.
Watchable for history lovers.
